Kundry: Sind die Tiere hier nicht heilig? (Parsifal act one)
Thus, because Christian morality leaves animals out of account ..., they are at once outlawed in
philosophical morals; they are mere "things", mere means to any ends whatsoever. They can therefore be used for vivisection, hunting, coursing,
bullfights and horse racing, and can be whipped to death as they struggle along with heavy carts of stone. Shame on such a morality that is worthy of pariahs,
chandalas and mlecchas, and that fails to recognize the eternal essence that exists in every living thing, and shines forth with inscrutable significance from
all eyes that see the sun!
The assumption that animals are without rights and the illusion that our treatment of them has no
moral significance is a positively outrageous example of Western crudity and barbarity. Universal compassion is the only guarantee of morality.
Just as the dark [skin] colour is natural to man, so too is the vegetable diet; but only in a
tropical climate does he remain true to the latter as to the former. When he spread to the more frigid zones, he had to counteract the unnatural climate by an
equally unnatural diet. Right in the north one cannot exist at all without animal food.
uring Friedrich Nietzsche's visits to Triebschen in 1869 Wagner, who was otherwise
impressed by Nietzsche, was scornful of the young professor's commitment to vegetarianism; despite the fact that, under the influence of Mathilde Wesendonk, he had already developed an interest in the rights of animals. Wagner had learned from his mentor Schopenhauer that
mankind was a species distinguished from other animals only by our capacities for reason and compassion.
It was from sympathy with our fellow-creatures that Wagner progressed towards vegetarianism; although he never became a total vegetarian. He knew the writings of
Georg Friedrich Daumer (1800-1875); perhaps he first encountered this poet and philosopher in his translation of poems by Hafiz. Wagner
later acquired several of Daumer's books on philosophy and religion, and Cosima's Diaries mention Daumer several times. Among those books was an account of the
foundling Kaspar Hauser, to whom Daumer was tutor. Wagner was struck by Daumer's argument that man's original diet was vegetarian (a view that he had already met
in Schopenhauer's Parerga und Paralipomena) and that the moral and physical decline of mankind was the result of the change to an unnatural diet that
included meat. Daumer noted that the behaviour of Kaspar Hauser — who in his wild years had only lived on wild fruit and who, in his first few months of
captivity, lived on bread and water — deteriorated as soon as the boy was introduced to meat dishes; which at first he refused. Kaspar became unco-operative and,
according to Daumer, "the nobility of his nature disappeared". Daumer also wrote of how the adoption of a vegetarian diet had caused an improvement in his own
ome years later (and no earlier than 1880), Wagner was sent a tract written by Jean Antoine Gleïzès (1773-1843),
Thalysia oder Das Heil der Menschheit (originally published in French 1840-42; German translation 1872), in which the author argued that Christ's
mission had been to end the eating of flesh: according to Gleïzès, this was the true meaning of the bread and wine of the Last Supper. He also argued, like
Schopenhauer, that man was raised above other animals by his capacity for compassion. Wagner was impressed
by the arguments of Gleïzès, perhaps even more so than he had been by the similar ones put forward by Daumer. Wagner synthesised the ideas of these writers with
the views of Schopenhauer (as quoted above) in his essay Heldenthum und Christenthum (Herodom and Christendom, 1881), in which he contrasted these ideas
about diet with those of Count Gobineau (whose views Wagner's essay treated with too much respect, to the subsequent harm of
Wagner's reputation). Following Gleïzès and his own opinion that in the teachings of the great spiritual teachers (lost or distorted in the religious books
written by their disciples) there was a common core of teaching, Wagner claimed the support of "the noblest sages of all time" for the belief that the cause of
mankind's degeneration was the substitution of flesh for vegetable food.
n 1879 Wagner responded to an appeal for support from the anti-vivisectionists:
Yesterday I officially became a member of the local Society for the Protection of Animals.
Until now I have respected the activities of such societies, but always regretted that their educational contact with the general public has rested
chiefly upon a demonstration of the usefulness of animals, and the uselessness of persecuting them. Although it may be
useful to speak to the unfeeling populace in this way, I none the less thought it opportune to go a stage further and appeal to their
fellow feeling as a basis for ultimately ennobling Christianity. One must begin by drawing people's attention to animals and reminding
them of the Brahman's great saying, Tat twam asi (That art thou), - even though it will be difficult to make it acceptable to the modern
world of Old Testament Judaization. However, a start must be made here, — since the commandment to love thy neighbour is becoming more and more
questionable and difficult to observe — particularly in the face of our vivisectionist friends...
Against Vivisection: Wagner's "open letter", published in the
Bayreuther Blätter, as translated by Wm. Ashton Ellis.
ere Wagner is alluding to Schopenhauer's teaching that the best aspects of Christianity were those which it
shared with Buddhism and Hinduism, whereas the worst aspects of Christianity were those which it had inherited from Judaism. These latter included the
Judaeo-Christian attitude to animals, which in the Old Testament (Genesis 9 v2) had been given by Yahweh into the stewardship of Noah and his descendants. For
Schopenhauer and therefore also for his disciple Wagner, the idea that men could deal with other animals (including birds and fishes) as they liked, as if
animals were things rather than conscious beings, was abhorrent.
The world is not a piece of machinery and animals are not articles manufactured for our use. Such
views should be left to synagogues and philosophical lecture-rooms, which in essence are not so very different.
n October of the same year, Wagner penned an article for the Bayreuther Blätter, where it appeared under
the title of, An Open Letter to Hr. Ernst von Weber:
When first it dawned on human wisdom that the same thing breathed in animals as in mankind, it
appeared too late to avert the curse which, ranging ourselves with the beasts of prey, we seemed to have called down upon us through the taste of animal food:
disease and misery of every kind, to which we did not see mere vegetable-eating men exposed. The insight thus obtained led further to the consciousness of a
deep-seated guilt in our earthly being: it moved those fully seized therewith to turn aside from all that stirs the passions, through free-willed poverty and
total abstinence from animal food... In our days it required the instruction of a philosopher who fought with dogged ruthlessness against all cant and all
pretence, to prove the compassion deep-seated in the human breast the only true foundation of
morality... For our conclusion should be couched as follows:- That human dignity begins to assert itself only at the point where man is
distinguishable from the beast by compassion for it, since compassion for man we ourselves may learn from the animals when treated reasonably and as becomes a
[An Open Letter to Hr. Ernst von Weber, October 1879.]
ven if Wagner's endorsement of vegetarianism and opposition to vivisection postdates the completion of his text
for Parsifal, there is a connection. In the passage quoted above Wagner refers to Schopenhauer's ethics (which Wagner had absorbed in the 1850's); in
which it is argued that compassion or sympathy is the only true foundation of morality. This
teaching lies behind the text and dramatic action of Parsifal, as can be seen in the incident of the wounded swan in
the first act. Gurnemanz accuses Parsifal not merely of killing a creature for sport but of murder; this tells us that here, in the domain of
the Grail, all creatures are accorded equal respect with humans. The old knight shows Parsifal the suffering that he has caused; he makes
him look upon the face of the dying swan. By doing so he prompts Parsifal to feel shame at his misdeed and compassion for the fellow-creature whom he has harmed. With the first stirrings of his compassion Wagner's Parsifal takes a first step towards enlightenment. While the libretto of Parsifal
opposes the killing of animals, it does not (as some commentators have claimed) advocate vegetarianism. The Grail knights eat neither animals nor plants, while
they are nourished by the divine food provided by the Grail. When Amfortas denies them that nourishment, they resort to eating roots and herbs, not from choice
but of necessity.
Parsifal: Im Fluge treff ich, was fliegt! (Parsifal act one)
Driven to flight, he deludes himself that he is the hunter;
does not hear his own cry of pain;
when he digs into his own flesh
he is deluded that he gives himself pleasure!
Die Meistersinger, Act II.
I recall having read of an Englishman who, while hunting in India, had shot a monkey; he could not
forget the look which the dying animal gave him, and since then had never again fired at monkeys. Similarly, William Harris, a true Nimrod, in 1836 and 1837
travelled far into the interior of Africa merely to enjoy the pleasure of hunting. In his book, published in Bombay in 1838, he describes how he shot his first
elephant, a female. The next morning he went to look for the dead animal; all the other elephants had fled from the neighbourhood except a young one, who had
spent the night with his dead mother. Forgetting all fear, he came toward the sportsmen with the clearest and liveliest evidence of inconsolable grief, and put
his tiny trunk round them in order to appeal to them for help. Harris says he was then filled with real remorse for what he had done, and felt as if he had
committed a murder.
You could commit murder, here in the holy forest,
surrounded by stillness and peace?
Did not the woodland beasts approach you tamely?
Did they not greet you as friends?
Here - see here! - here you hit him,
see how the blood congeals, how the wing droops,
the snowy feathers flecked with blood -
the eyes glazed; do you see his look?
Parsifal, Act I.
Recently, as we were eating hare for lunch, Lusch asked whether [Richard] had ever hunted. He said
yes, once in his youth, on Count Pachta's estate in Bohemia. He had shot at random, without taking aim, and was told that he had hit a running hare in the leg.
At the end of the hunt a dog had discovered the poor animal and dragged it out; its cry of fear pierced right through him. "That is your hare", he was told, and
there and then he swore never again to take part in such a sport.
Cosima's Diaries, entry for 9-13 December 1873, tr. G. Skelton.