Symbols of the Grail Procession
Parsifal: Wer ist der Gral?
Gurnemanz: Das sagt sich nicht;
doch, du selbst zu ihm erkoren,
bleibt dir die Kunde unverloren.
[Parsifal, Act I]
The Grail's secret must be concealed
And never by any man revealed ...
characteristic feature of the medieval Grail romances is the
atmosphere of mystery that surrounds the Grail. It is a talisman of which one usually may not speak, although the knowledge of it may be
revealed to those worthy of the revelation. The Grail appears in a procession, details of which differ in various
versions of the visit of the Quester (Gawain, Perceval, etc.) to the
Grail castle, in which it is accompanied by other mysterious objects.
essie Weston drew attention to the relationship between
four of these symbols (sometimes called the Grail Hallows), and the suits of the Tarot. A Tarot pack contains four suits of cards: Cups,
Wands, Swords and Dishes (or Pentangles or Pentacles).
he Grail is variously described as a cup or deep dish. In the
earlier Grail romances, the word graal is not explained, perhaps because the readers could be expected to be familiar with the
word. Less than fifty years before Chrétien wrote his poem, the monk Helinand defined the similar word gradale as meaning
scutella lata et aliquantulum profunda, a wide and slightly deep dish. Only later, in Robert de Boron's Joseph
d'Arimathie, was the Grail identified with a cup or chalice. The Grail in Wolfram's
poem Parzival is a stone that fell from heaven but which, strangely, retains the association with food that is more natural in versions where it is a dish
or cup. In the Perlesvaus the Grail can appear in any one of five different forms. Scholars
have proposed that the original Grail was either a magic cauldron or a horn of plenty or
he bleeding lance of the Grail
castle is another curious feature of the Grail romances. Quite early in the development of the story, it was identified with the lance
of Longinus that had pierced the side of Christ. Thus it suggests a link between the wound of the Maimed King, if dealt by the
lance, and that of Christ. Originally, however, the bleeding lance was probably a magic weapon. The bleeding is described either as a continuous stream of blood (as in Wolfram) or a single drop (as in Chrétien) or as three drops.
essie Weston concluded that the cup and the lance were
sexual symbols, pointing to a relationship between the story of the Grail castle and ancient fertility rites (which she thought might be
of Gnostic or Cathar origin). She noted that, in some of the Gawain versions of the tale, the lance appeared
upright in the Grail, so that the cup received the blood. This suggests that the Grail is somewhat larger than a normal cup; in the Perlesvaus, a later development of the story, where
the blood also runs into the Grail, Gawain sees a chalice within the
Grail. R.S.Loomis drew attention to certain similarities between the lance of the Grail castle and the spear that appears in the tale of the Irish hero Brian, from the Fate of the Children of Turenn, which stands
inverted in a magic cauldron.
nother magic weapon is the sword that appears in most of the accounts of the Grail procession. In some versions, it seems to have been the sword, rather than the lance, that injured the Maimed King, or felled the dead knight, so causing the wasting of the land. The task of the Quester, whether Gawain or Perceval, may be to ask a significant Question, or it may be to
mend a broken sword.
[J.L.Weston, The Quest of the Holy Grail.]
As students are well aware, the Sword of the Grail romances
is a very elusive and perplexing feature. It takes upon itself various forms; it may be a broken sword, the re-welding of which is an essential condition
of achieving the quest; it may be a 'presentation' sword, given to the hero on his arrival at the Grail castle, but a gift of
dubious value, as it will break, either after the first blow, or in an unspecified peril, foreseen, however, by its original maker. Or it may be the sword
with which John the Baptist was beheaded; or the sword of Judas Maccabeus, gifted with self-acting powers; or a mysterious sword as estranges
ranges, which may be identified with the the preceding weapon.
t has been suggested by various commentators that the motif of the broken sword is derived
from an Irish tale in the Finn cycle. The hero Cailte and a companion enter an Otherworld castle where the host was Fergus Fair-hair.
The host asked Cailte to repair a broken sword that the Tuatha Dé Danaan had refused to mend. He did so, and also mended a spear and a
javelin. Fergus revealed that each of these weapons was destined to destroy one of the enemies of the gods. After three days, Cailte and two companions left with
the weapons. They came to a castle of woman where they were attacked by the enemies of the gods; in the battle, each of the three
weapons destroyed one of the enemies.
The Four Treasures of the Tuatha Dé Danaan
t has been suggested that the symbols of the Grail procession might
have been originally among the treasures of the Shining Ones, the Tuatha Dé Danaan, of Irish legend. There is, however, no direct relationship between the bleeding
lance and the spear of Lug, nor does the Grail resemble a cauldron (such as the inexhaustible cauldron of the
Dagda) in any of the Grail romances, where it is variously described as a broad dish, a cup or (in one case) a stone.
The Thirteen Treasures of Britain
Welsh document from the early 15th century contains a list of thirteen treasures of
Britain. If the origin of this list is much older, then it might be a clue to the Celtic origins of some of the symbols of the Grail procession. One of the treasures is the Horn of Brân, which has the property of never being exhausted and that would provide provide any food
or drink on request, one of the many magic vessels of Celtic myth. As early as 1888, Alfred Nutt proposed that the
Welsh god Brân was the prototype of the Fisher King, and since then many writers have identified Brân, son of Llŷr, with Robert de
he list also includes the dish of Rhydderch (a historic king of Strathclyde in the 6th
century) which has the interesting property that it grants whatever food is desired. There is also a cauldron, which might be the same
one that appears in poem The Spoils of Annwn; it has the property that it will not boil the food of a coward. R.S.Loomis
suggested that this might be the distant origin of a feature in the Prose Lancelot, where the Grail serves food to
all except Gawain, who had been judged (by the Grail?) unworthy.
The Cathar Initiation Rite
essie Weston (1850-1928) held the view that central elements
of the Grail romances had originated in eyewitness accounts of initiation ceremonies in which certain mysterious symbols
played an important part. In 1932, in a cave below the fortress of Montréal-de-Sos near Tarascon, there was found a wall-painting which, it was suggested, was of
Cathar origin and dated from the 12th century. It shows a lance, a broken sword, a solar disk, many red crosses and a square panel. The
latter contains an inner square. The outer part of the panel, which might represent a table or altar, contains twenty crosses in various forms on a black
background; the inner part contains five tear-shaped drops of blood and five white crosses. If the inner part corresponds to the tailléor, then we have
all four symbols of the Grail procession.
n discussions of the strange events that are seen by the Quester at the Grail Castle, as
they vary between the Grail Romances, it is easy to lose sight of the central point. The varying details do not really matter; what does matter is that the Quester
sees a strange ritual, involving various ritual objects, of which he understands nothing.
© Derrick Everett 1996-2018. This page last updated (applied new styles, added a tooltip) --- Fri 31 Aug 2018 22:00 CET ---