olfram fragments this encounter. He gives this cousin the name,
Sigune, and she also appears in his misleadingly-named poem, Titurel. Parzival meets her before
he arrives at the Grail Castle, as well as after. She reveals to him his true name.
'Upon my word, you are Parzival!' said she of the red lips. 'Your name means, pierce-through-the-heart.' In Wolfram's poem, the
news about Herzeloyde's death is not revealed until the Good Friday meeting with the hermit, and it is he and not the cousin who
breaks the news to Parzival.
his is one of many points on which Wagner seems to have had some direct or indirect
knowledge of Chrétien or other sources, since he does not follow Wolfram at all. The
fate of Herzeleide is revealed to Parsifal in the forest before he is admitted to the Grail Castle, not by Sigune but by Kundry, and it is also the latter who calls him
by his true name, on her second entry in Act 2.
he literary motif of a hero who does not know his own name -- suggesting that he has not yet
discovered who he is -- is one that is found not only in the Grail romances but also in a group of stories (or variants of the same story) about The Fair Unknown.
Left: Wagner's sketch for the knights' headdress.
t is clear both from Wagner's libretto and this Prose Draft, that the community of knights had been actively opposing evil from the foundation of the brotherhood by Titurel until its recent defeats by Klingsor. In particular, the loss of the spear
and wounding of Amfortas, which have left the knights without effective leadership. As Gurnemanz
relates, they now waste their time in fruitless adventures or in dreaming of the recovery of the spear. They have turned inwards. The
hollow banality of their ceremonial song suggests that the community is divided and decadent. It is possible that Wagner intended this as a metaphor for the state
of the German Volk, awaiting a revival of the German spirit.
t is sometimes claimed that Wolfram described the Grail knights as
Templars. This is incorrect. The word that he used was Templeisen, which might be rendered into English as Templists, or something
similar. As in Wagner's version of the story, the knights serve the Grail and therefore also the Grail Temple. Nor did Wagner state that his knights were Templars,
only that their costumes resembled the dress of knights belonging to the Order of Templars.